Tracks: Activate / Blood In My Eyes / Black Flags / Is This Hyperreal? / Codebreaker / Shadow Identity / Rearrange Your Synapses / Digital Decay / The Only Slight Glimmer of Hope / Collapse of History
Atari Teenage Riot release their fourth album, ‘Is This Hyperreal?’ on June 20th through Digital Hardcore Recordings. The follow up to 1999’s critically acclaimed ’60 Second Wipeout’, ‘Is This Hyperreal?’ is a sonic masterpiece twelve years in the making and affirms ATR’s cultural relevance yet again.
ATR are now a trio with new member CX KiDTRONiK on MC duties, sharing the stage with the original line up of Alec Empire and Nic Endo. This addition of CX is reflective of a new record that is mapped by socially conscious lyrics; angst ridden punk rock riffs and throbbing 909 drum machine patterns.
Characterised throughout with an urgent sense of protest and debate, ‘Is This Hyperreal?’ is in parts a cultural milieu cautionary tale and futuristic bass laden electronic diatribe. Delving into our current social malaise coupled with an explosive big room production reminiscent of early hardcore raves and punk rock shows, this record sounds fresh and entirely of its time.
‘The new ATR album investigates hacker activism, governments and corporations trying to take over the Internet with regulations, thus destroying its freedom’, Alec explains. The jargon of our times is clearly represented here in the album with discourses on hyperrealism, digital decay, human trafficking, wiki-leaks, anarchy and libertarianism.
Alec goes on to add, ‘It is the definite protest album for the Google age. Musically we have taken ATR’s signature sound way into the future. The beats have more punch, the baselines are heavier and the songs possess another level of depth.’ The album features a stellar cast of guest performances including Dim Mak’s Steve Aoki on ‘Codebreaker’; ‘Is This Hyperreal?’ is not a sentimental reunion about reliving the past but a major software update.
Few other albums released this year will so successfully transcend such a complex body of influences and ideas and form such an important canvas of work.
Live Dates:
12.05.2011 GB – London, Islington Academy (with The Big Pink DJ Set & Kap Bambino)
http://www.ticketmaster.co.uk/event/1F00467DFD0EA368?artistid=1023595&majorcatid=10001&minorcatid=60
13.05.2011 GB – Bristol, The Fleece http://www.wegottickets.com/event/110798
14.05.2011 GB – Camber Sands, Bang Face Weekender
15.05.2011 FR – Paris, Maroquinerie
16.05.2011 NL – Amsterdam, Paradiso (with Kap Bambino)
19.05.2011 IT – Roma, Alpheus
20.05.2011 IT – Milano, LAP – Lambretto Art Project
21.05.2011 CH – Winterthur, Salzhaus
01.06.2011 AT – Graz, Springfestival
01.07.2011 FR – Montedre, Free Music Festival
02.07.2011 FR – Belfort, Eurockéennes Festival
16.07.2011 DE -Gräfenhainichen, Melt Festival
22.07.2011 PL -Bolkow, Castle Party
29-31.07.2011 JP – Yuzawa, Niigata, Fuji Rock Festival
13-14.08.2011 DE – Hildesheim, Mera Luna Festival
www.atari-teenage-riot.com
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Editors’ Notes:
Track By Track:
Activate
Activate is about political activism in the internet age. We find that governments are using music piracy to have a reason to regulate and clamp down on internet freedom. It is important to keep the internet free from government control, so politics becomes more transparent and people form their own opinions when accessing alternative sources of information. Sounds logical, but it’s sad to see that even in Western democracies governments move towards a less free internet.
Blood In My Eyes
Blood In My Eyes features Nic Endo on lead vocal. She speaks out for the multitude of women who have become the victims of human trafficking, their sexuality exploited for financial gain right under the gaze of the ineffectual governments of the self-proclaimed civilised West. Nic, wholly in tune with her trademark Japanese face-paint depicting the symbol for resistance, makes her point in the inimitable Atari way.
Blood In My Eyes is a riveting electronic punk rock diatribe, paying homage to the feminine retributive subtexts espoused by cult films like ‘Kill Bill’ and’ heavily censored French art-house offering’ ‘Baise-Moi’.
Black Flags
We seem to be moving more towards a society in which certain people are above the law and others are not. There is a class war going on and it’s the rich who are waging it. This imbalance is causing more crime and more violence. The black flag stands historically for the anarchist flag, meaning having no government. If governments cosy up with corporate power like they do now, it’s a threat to democracy, freedom and free speech.
Note: There is a single version coming with US rapper Boots Riley as a guest!
Is This Hyperreal?
The title track of the album seems perhaps unusual to some people out there. It is an atmospheric and cinematic track which paints a picture of violent protests leading to revolution and instead of ending up with more freedom, a dictatorship-like society in which everyone is against everyone. The song also includes ATR’s first German lyrics since the legendary song Hunt Down The Nazis, this time ATR speaks directly to the German government and warns them that if they continue to be corrupt and act in the interest of a few, rather than the majority who elected them, we as a people can always march up to the Reichstag/Bundestag in Berlin, arrest them and start a new republic.
(This has happened a in the last century in Germany: Right after World War I when the German people ended the monarchy, then the second time when East Germans brought down the socialist regime in 1989 and made the Wall fall.)
Codebreaker
This track features guest Steve Aoki from Dim Mak Records on vocals. It is our hacker activism track on the album. Information war and using computers as weapons. The whole album was programmed on an old Atari ST1040 computer with 2MB ram. When we started it was the tool to have, it is vital for the Atari Teenage Riot signature sound, so we still use it. It has become almost an Einstein-type maths riddle to squeeze so much energy out of that machine…but it’s also a lot of fun. And it’s not connected to any network, so it can’t be hacked from the outside.
Shadow Identity
We wrote this song when we heard about the German police installing trojan horse software on the computers of ordinary citizens. This reminded us of how the authorities spied on people in Nazi or Socialist Germany decades ago. Will we face a future where we all have to live two lives? One life which is polished for the internet and employers to see and then the real life where we can express freely our opinions to our friends. Nic Endo mentioned how Iranian women live this way. Are those who preach about the ‘end of privacy’ in the internet age the same kind of people who want to disown us, claim our intellectual properties in order to exploit them financially? Authors like Jeff Jarvis keep asking why the Germans are so sensitive when it comes to these things. The answer is because we’ve been there twice in the last century….
Re-arrange Your Synapses
Shadow identity leads us right into this song called Re-arrange Your Synapses.
Key lyrics are: “The internet….
Is it worth the creation of a black hole that sucks up our time, creativity and friendships?
Some believe the every day mobile device is as powerful as a nuclear hand grenade when it comes to starting a revolution!
Re-arrange your synapses! The ideologies behind that type of thinking aren’t exactly solid, my friend! When the authorities catch up with us, and they will, not such a good idea to leave traces and expose your whole network at once.“
While Atari Teenage Riot’s legendary song Start The Riot was the beginning a decade ago, Re-arrange Your Synapses is an extension that explains that if there is no smart thinking behind political activism and it’s purely controlled by hate and anger then it doesn’t achieve much.
Digital Decay
This song was really inspired by Wikileaks. Digital Decay is a key concept which basically describes a future where people will not use the internet because it is too regulated and too controlled. This possibility has become quite ‘cool’ over the past months, to not be a part of the information overload treadmill anymore. Nic Endo provides vocals which were inspired by Hal the computer on the spaceship in Kubrick’s “2001 – Space Odyssey“. This track combines the roots of ATR’s early works which were very Detroit Techno inspired with Dubstep right at the end.
The Only Slight Glimmer of Hope
Mick Jagger said decades ago that “Anarchy is the slight glimmer of hope“. We see ourselves as anarchist libertarians. In many cities the police are powerless when it comes to the increase in violence and crime. We don’t want to handover responsibility to Big Brother so that they make all decisions for us. We believe that a society in which people treat each other with respect and share the profits is possible and logical.
Collapse of History
This is one of the key ideas when it comes to hyperrealism and our time… We live in an age where the sense of space and time is lost. Everything is instantly available. More young people discover music, for example, which was made in the 1950s. The sense of Pop is lost, mass culture is coming to an end. We wrote this anthem to celebrate diversity! Musically it is interesting to mention that the song starts with a recreation of the classic Atari video game ‘Pong’ and then in the refrain features Alec Empire doing 40 layers of vocal takes to create a choral sound which was inspired the old Russian military choirs
- Authority Communications
